Young Girl Plays Taps (Il Silenzio): Moving, Breathtaking


All I can say is, “Wow!”   and I believe that you will too. I have never heard Taps played like this before.  Jaw dropping.

Taps (Il Silenzio)

I hope military personnel, their families and loved ones,  those of us who have lost someone who served, all of us appreciative civilians will find this rendition, as I did, very beautiful.

A moving, full rendition of Il Silenzio, otherwise known as “Taps” , played by a 13 year old girl.

The girl’s name is Melissa Venema and she is playing with maestro Andre Rieu
from Maastriecht in the Netherlands. She was 13 years old at the time. This performance was in 2008 in Masstriecht where city officials sealed off the town square.

Took my breath away.

xo, susan

Of all the military bugle calls, none is so easily recognized or more apt to render emotion than Taps. Up to the Civil War, the traditional call at day’s end was a tune, borrowed from the French, called Lights Out. In July of 1862, in the aftermath of the bloody Seven Days battles, hard on the loss of 600 men and wounded himself, Union General Daniel Adams Butterfield called the brigade bugler to his tent. He thought “Lights Out” was too formal and he wished to honor his men.

Oliver Wilcox Norton, the bugler, tells the story, “…showing me some notes on a staff written in pencil on the back of an envelope, (he) asked me to sound them on my bugle. I did this several times, playing the music as written. He changed it somewhat, lengthening some notes and shortening others, but retaining the melody as he first gave it to me. After getting it to his satisfaction, he directed me to sound that call for Taps thereafter in place of the regulation call. The music was beautiful on that still summer night and was heard far beyond the limits of our Brigade. The next day I was visited by several buglers from neighboring Brigades, asking for copies of the music which I gladly furnished. The call was gradually taken up through the Army of the Potomac.”

This more emotive and powerful Taps was soon adopted throughout the military. In 1874 It was officially recognized by the U.S. Army. It became standard at military funeral ceremonies in 1891. There is something singularly beautiful and appropriate in the music of this wonderful call. Its strains are melancholy, yet full of rest and peace. Its echoes linger in the heart long after its tones have ceased to vibrate in the air.

The origin of the word “Taps” is thought to have come from the Dutch word for “Tattoo”- “Taptoe.” More than likely, “Taps” comes from the the three drum taps that were played as a signal for “Extinguish Lights” when a bugle was not used. As with many other customs, the twenty-four notes that comprise this solemn tradition began long ago and continue to this day.

While there are no official lyrics for Taps, the following unofficial verse (author unknown) is often used:

Fading light dims the sight,
And a star gems the sky, gleaming bright.
From afar drawing nigh — Falls the night.

Day is done, gone the sun,
From the lake, from the hills, from the sky;
All is well, safely rest, God is nigh.

Then good night, peaceful night,
Till the light of the dawn shineth bright;
God is near, do not fear — Friend, good night.

Above Information Courtesy of United States Army Center for Military History

About these ads

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s